We are pleased to announce that The Reader Organisation won the Growth award at the Social Enterprise Network Powerful Together Awards last night, recognising our consistent growth, entrepreneurialism and resilience.
Social Enterprise Network is the home of social enterprise in Greater Merseyside. Its annual Powerful Together Awards celebrate the brightest and best local businesses and community organisations that are committed to social value.
The winners were announced at a glittering presentation ceremony last night at the Liverpool Town Hall. The evening was thoroughly enjoyable, involving complimentary wine, delightful food and many, many bespoke SEN cupcakes that The Reader ladies did not hesitate to take away at the end of the night…
The Reader has a strong track record of making ideas happen and creating social impact. Since 2008, we have doubled our income, increased staff numbers by 200%, and increased our shared reading activity by nearly 300%. The development of projects and teams across the UK mean that Get Into Reading is now reaching more communities than ever before and we currently have sister projects developing in Belgium, Denmark, Northern Ireland and Australia.
One of our most exciting new projects is the development of Calderstones Mansion House into the International Centre for Reading and Wellbeing. This will not only strengthen our position in the North West as a leading facilitator of social change; it will also enable us to uphold this foundation in places across the UK and beyond.
We thank Social Enterprise Network for allowing us to be part of such a great night, and for their hard work in recognising and celebrating new and existing social enterprises on Merseyside.
This, for all fans of The Wire, Shakespeare and, well, anything-that-will-almost-certainly-be-brilliant, is a very exciting prospect but it’s not the first time The Bard and The Wire have come together…
Not to worry on any count, here’s a short film, made by Kev Higgins (Merseyside Community Theatre‘s Media Assistant), which captures the essence of this huge community project in the Alt Valley area of Liverpool and some of the magic created by the shows (one of the highlights being the brilliant ‘Thriller’ routine at the end of this film):
Here’s a few comments from people that saw, or were involved in, the show:
One of my friends has seen ‘Romeo and Juliet’ on five other occasions and she mentioned that this was the best version she had ever seen.
Thanks to The Reader Organisation also for having the guts to bring this to my community – not many would have given us the chance to shine – now, for the first time in a long time, good things are being reported about the area and everyone is buzzing. A great positivity seems to be in the air.
I had low confidence before this project and was very shy meeting people, but now I’ve made some great friends, become more sociable, and have more confidence within myself. My eyes have been opened to the possibilities in life and I feel I can deal with anything.
I wasn’t too sure what to make of it at first, nothing like this had happened in Croxteth before, but when I saw how many people came to watch and just how good it was. I thought it was fantastic, for all the people involved and for the image of the area. Well done, more please.
This report is from Kev Higgins, Merseyside Community Theatre’s Media Assistant
Four performances, three long days of technical and dress rehearsals, three weeks of hard rehearsals, two weeks of auditions, five months of outreach and advertising, and many difficult decisions later, we had Romeo and Juliet at the Fire Station. The Merseyside Community Theatre production ran from Thursday 26th to Saturday 28th August 2010 and was enjoyed by hundreds of people at each show.
This, from Catherine Jones at the Liverpool Echo, goes some way to explain the wonders of the theatrical set at the Croxteth Fire Station:
Set designer Olivia du Monceau makes inventive use of the site, turning outbuildings into the Capulet Cavern and cafe, a curtain-sided lorry into Friar Laurence’s (Caoim Eaves) cell, and a hanger into a party venue where the young cast put on an entertaining rendition of Michael Jackson’s ‘Thriller’ routine as Romeo meets Juliet over the fruit punch.
Through the dedication of the production crew and the time the cast has given up in order to take part, we have created something we can be very proud of. There are so many great memories I will take away from this project, and many many more to come flooding back once we start releasing photographs and video.
Talking of photographs and video… we have a lot! There are hundreds of photographs we will be releasing over the coming days and weeks on our media pages, and to follow, the complete play on DVD from The Reader Organisation.
Thank you to all involved in making this project happen, and to our cast and crew as without their performances and knowledge, none of this would have taken place.
It’s the morning after the opening night of Romeo and Juliet at the Fire Station, and the cast and crew are revelling in what was a truly spectacular – and very professional – performance of Shakespeare’s greatest love story, brought up to date and back to life by thirty-one Liverpudlian cast members.
The remarkable transformation of Croxteth Fire Station into ‘fair Verona’ – market stalls littered with fairy lights and scary costumes (I won’t spoil the surprise for those yet to see it and say why!) – greeted the audience on arrival. After a very slight delay (what opening night goes without its minor technical hitches?) everyone found their seats and the show began in a flurry of activity which introduced them to Romeo (Danyel Roberts), Juliet (Helen Webster), and all of the other characters who were to entertain them for the next two hours.
Romeo and Juliet at the Fire Station is a promenade performance, so as well as being outdoors the audience were asked to follow the action as it moved around the set: from the market scene, to ‘Capulet’s Cappucinos’ coffee shop, Juliet’s bedroom and Friar Lawrence’s cell. Each (OK, well, most) of the movements were smooth and efficient, and with characters running through the audience at points it certainly felt like everyone watching was part of the action.
Though the entire cast put on a great show the highlights have got to be Mico Simonde and Philip McGuiness, who stole the show with their portrayal of Benvolio and Mercutio – although the decision to involve a couple of Fire Engines (again, no clues as to why!) in the action was another show-stopper, adding to the fantastic atmosphere that came from watching a production take place on a working Fire Station.
All in all it was a funny, moving, and generally outstanding performance, of which all involved should be justifiably proud.
Romeo and Juliet at the Fire Station will be performed tonight at 7.30pm, and tomorrow (Saturday 28th) at 2.30pm and 7.30pm.
All this talk for months and now, the day is finally here, the first of Merseyside Community Theatre’s shows of Romeo and Juliet at Croxteth Fire Station. I’ve been up there this morning and the station has been utterly transformed – there are a lot of rather bemused looking firefighters walking around the place. This morning we’ve had film crews and photographers up there interviewing the cast and crew, people from TRO and the fire service, the setting, the rehearsals – it’s getting a lot of attention.
The only thing to say now is, please rain, go away! (I have it on good authority that the weather will be good this evening – quite when the Director of The Reader Organisation became a meteorologist, and a dependable one at that, I don’t know, but I’m trusting her…)
Due to the large number of bookings that have been made for Romeo and Juliet at the Fire Station, we will no longer be taking reservations for tomorrow night’s (Thursday 26th) opening performance.
You are still very welcome to come along to Croxteth Fire Station (Storrington Ave, L11 9AP) from 7pm to see if there are any tickets available on the door (unfortunately, availability cannot be guaranteed).
Good news! Free tickets are still available to reserve for the other performances, so contact Emma on 07739 420 009 / firstname.lastname@example.org if you want to guarantee a space at any of the following shows:
After months of preparation, weeks of rehearsals, and days of panicking the opening night of Merseyside Community Theatre’s production of Romeo and Juliet at the Fire Station will soon be upon us!
This Thursday 26th August at 7.30pm, around 300 people will walk into Croxteth Fire Station to watch the community-led production of the greatest love story ever told, directed by Neil Caple (RSC, Brookside).
Join us for free food and drink, to spot the film stars of the future and, most importantly, for an absolutely fantastic show. In case you just can’t wait until Thursday, here’s a little preview:
The programme featured interviews with translator Martin Orwin, who outlined the remarkable tradition of poetry in Somali, and with PTC Director, Sarah Maguire, who discussed the importance of translating Somali poetry into English. Poet W N Herbert, who co-translated Maxamed Xaashi Dhamac ‘Gaarriye’ with Martin Orwin for the PTC, talked about the complexities and delights of the translation process, and the impact it’s had on his own writing.