My oh my have we got a cracking magazine for you this quarter! The summer edition is out now, jam-packed with fantastic new writing, powerful personal essays and all the latest Reader thinking.
Our first edition of 2017 and a special Anniversary Issue to mark 20 years of The Reader magazine.
The weather is turning, the leaves are falling, Autumn is most certainly upon us and with a new season comes a new edition of The Reader Magazine. Introducing Issue 63.
The first issue of The Reader in 2016 is here and it’s a very special one indeed as it heralds our sixtieth edition. There are plenty of diamonds to be found inside Issue 60, ranging from the brand new to the nostalgic, and the inclusion of our ‘One -Pagers’ – the raw, powerful and punchy moments from works of literature that make us feel alive and which we often turn to at times in need of affirmation.
‘We seek the ‘lines of life’. When readers tear from books the words that suddenly matter to them, that is their own pre-poem, the beginning of their work as receivers and transmitters of suddenly felt meaning. Reader writers: apply within.’ – The Reader Writers, Philip Davis
You’ll still find plenty of broader content within Issue 60, including new poetry from Carol Rumens, Julie-ann Rowell, Claire Allen and Vidyan Ravinthiran. The big themes of change and the future – still on many a mind as the year is fresh – feature in Gill Blow‘s story ‘Ladies of the Soil’, and Raymond Tallis seeks perspective on life from the imagined vantage of his future death in an extract from his new book The Black Mirror.
Sitting alongside future thoughts are frequent glances back towards the past, as we republish poems by Les Murray and U.A. Fanthorpe from our earliest issues, and revisit our childhoods while keeping feet firmly in the present day as we talk to Jason Hazeley and Joel Morris, co-writers of the hugely popular Ladybird Books for grown-ups. Our second interview visits photographer Tim Booth, who talks about his stunning collection A Show of Hands – a collection of portraits of hands.
Marjorie Lotfi Gill features in The Poet on Her Work, turning distance that feels like helplessness into clarity as she writes on the subject of gun violence. Charlie Darby-Villis writes about reading poetry in a high security prison, and the poet David Constantine responds with his own recollection of visiting HMP Low Newton. More on the particular power reading can offer come from pieces by Drummond Bone, Ben Davis, David Abrahamson and Claire Sive.
All this alongside our Regulars and Recommendations – there’s much to celebrate in our latest milestone.
If you’re keen to make a literary resolution for the year ahead, yearly subscriptions to The Reader begin from £24, offering four issues of the magazine. You can also purchase your copy of Issue 60 for the price of £6.95. There’s the chance of winning a full set of the Ladybird Books for grown-ups within the issue, so don’t delay in ordering!
For more on The Reader, see our website.
In need of something to bring a warm glow into the lengthening Autumn nights? The latest issue of The Reader is here to offer a wealth of new fiction and poetry, alongside a range of illuminating essays and thought pieces – and the bright cover artwork by Michael Troy is sure not to get lost amongst the gloom.
In Issue 59, you’ll find new work from two big names and returning contributors to The Reader. Blake Morrison introduces his poetry collection, Shingle Street, and the profoundly moving first chapter of The Life-Writer by David Constantine offers an enticing insight into the new novel from the author of In Another Country, the inspiration for the recent award-winning film 45 Years.
The Poet on His Work features Jonathan Edwards and his poem Song, where the low culture – ‘the earthy, the musical, the ordinary, the real’ – sits alongside the poetic:
“This poem took ten years to write. It took a few hours. I’m not the first boy in the history of the world to write a poem about a girl.” – Jonathan Edwards on Song
Marjorie Lofti Gill, Ian Tromp and Mary Maher complete the poetry line-up.
Dr Steve Mowle, a partner at Hetherington Family Practice and Associate Director for GP Education for Inner South West London, talks to Fiona Magee about life as a GP, the long-term relationship between patients and doctors and how reading within a group is part of ‘social prescribing’.
Tim Parks uses Chekhov to rebel against the problem of ‘biographical fallacy’; the ‘poet’s poet’ F.T. Prince comes to our attention courtesy of Anthony Rudolf; Brian Nellist recommends a Neglected Novel – as well as offering The Old Poem – and there are more from The Reader regulars, including Ian McMillan and Enid Stubin.
Curl up by the fire and order your copy, available to order from the website. If you’re on the search for Christmas present suggestions, a year’s subscription to The Reader – giving you four issues – costs £24 in the UK and £36 abroad.
45 Years, recently released in cinemas, is on the surface a film about the span of time. Kate and Geoff Mercer are approaching their 45th wedding anniversary, living steadily and seeing out their retirement in a Norfolk village, taking each day up with their well-known routines. On one ordinary day, not long before their anniversary, Geoff receives a letter with the news that the body of his former girlfriend – missing after an accident on the Swiss mountains fifty years previous – has been found. The revelation proves to be devastating to the couple, and beneath the settled surface memories and the shadows of time gone by – and not experienced at all – rise up once more.
The film, starring acclaimed actors Charlotte Rampling and Tom Courtenay as its leads, has received glowing reviews by critics and is being talked up as a potential candidate to be in line for a BAFTA next year, after already receiving plaudits for both actors at the Berlin Film Festival 2015. Seeing it on the big screen, it may be surprising to hear that it started life as a short story written by patron of The Reader David Constantine and was first featured in Issue 9 of The Reader magazine all the way back in 2001.
In Another Country – the original title of the story – subsequently became part of Under The Dam, Constantine’s 2005 collection of short stories, and reprinted as the title story in a new collection from Comma Press, released next week. The film adaptation alters a number of elements from the story, so even if you have already seen the film it’s well worth reading In Another Country to look at the tale from another perspective. Since its first publication in The Reader, the story has proved a popular, absorbing and thought-provoking choice in many of our shared reading groups – even as recently as this week, where one of our groups in London read it, and found the struggles of characters moving.
David Constantine has continued to be a regular contributor to The Reader in the past 14 years in both poetic and story form, most recently featuring in Issue 55. You can find our very own Brian Nellist a.k.a Nellibobs reading his ‘Mid-afternoon in another narrow bed’ on YouTube here.
His story Witness will be featured in The Reader’s upcoming anthology A Little, Aloud with Love, to be published in January 2016.
45 Years is currently showing at selected cinemas across the country.