Small Presses, Big Ideas

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This afternoon The Reader editor Philip Davis featured on BBC Radio 4’s show about small presses, ‘Small Presses, Big Ideas’. In the show Phill Jupitus “explores the world of the small press poetry magazines, which allow anyone with a verse and the price of a stamp the chance to rub shoulders with the greatest poets”. The Reader magazine publishes essays, reviews and recommendations as well as poetry, but the programme blurb describes our approach perfectly.

You can listen again to the programme here, until Tuesday December 25th.

Find out about our Christmas subscription and back issue special offers here.

Reader event: Penny Readings

Penny Readings
St. George’s Hall, Liverpool
December 9th, 2007

By Chris High

In the annual Penny Readings, now in its fourth year of emulating Charles Dickens’s event of 1862 in which the great author described the room as “simply perfect”, The Reader Organisation have managed to encapsulate not only the very essence of Christmas, but also the very heartbeat of what Liverpool ’08 should be about. What better way to herald the arrival of Christmas than to spend a somewhat chilly Sunday evening in the luxurious surroundings of the Small Concert Room to listen to some of the city’s finest exponents of the spoken word reading festive extracts from Hardy, Dickens and Shakespeare?

Introducing some of the city’s musical foundations such as the Life Changers Empowering Ministries Gospel Choir – incorporating singers from seven different countries – and the Merseyside Dance Initiative’s, African Youth Dance, whose performance was filled with colour and unrestrained enthusiasm, BBC Radio 4 presenter, David McFetridge, held proceedings together as MC, reading extracts from Capsica’s Mersey Minis anthologies.

But it is the guest readers who make the event what it is and not least this year was Annabelle Dowler – Kirtsy Millar in The Archers and The Shepherd in The Liverpool Playhouse production of The Flint Street Nativity – who read from The Winter’s Tale and As You Like It, bringing scenes vividly to life with great energy.

Equally as eloquent were the University of Liverpool’s Brian Nellist MBE, who read from Thomas Hardy’s Under The Greenwood Tree and poet Jenny Joseph, reading from Bleak House and her own work, Led By The Nose, A Garden Of Smells.

As is traditional at the this event, however, it is the chosen passage from A Christmas Carol read by Philip Davis, Editor of The Reader magazine, that closed the show and so released the five hundred strong audience into the chilly night air with a lighter heart and a renewed sense of what the meaning of Christmas should be.

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Chris High is an author and freelance journalist. He also writes crime fiction book reviews, theatre, music and film reviews, and interviews writers, media personalities and musicians. We are not entirely sure what his tastes in cake are. Or if he even likes cake.

(Festival Girl is away)

Reader event: The Penny Readings

On the evening of Sunday 9th December, at St George’s Hall in Liverpool, The Reader is hosting its fourth annual Penny Readings event.

This year, the event features renowned UK poet Jenny Joseph; The Archers star Annabelle Dowler; and BBC Radio 4 and CBeebies presenter, David McFetridge; the 500-strong audience will hear readings from such famous classics as Bleak House, A Christmas Carol and A Winter’s Tale.  Other highlights of the evening include performances by the Liverpool African Youth Dance group, three community choirs, a Dickensian trumpet player and a string quartet.

The Reader exists to promote the good in literature, believing that reading can be fun, life-enhancing and creative for everyone, and this is why we host The Penny Readings. As in Dickens’ day – when he would travel around the potteries and Liverpool, reading to thousands of people for only one penny – we too only charge one penny for this event, so that it is inclusive and available to all. We want everyone to benefit from the positive impact that literature can bring to people’s lives and this is one thoroughly enjoyable way that we are able to do it.

You can read the full press release on the University of Liverpool’s website. Tickets are now sold out for this year’s event but you are can place your name on a list at Liverpool Central Library to ensure you are amongst the first to know when tickets go on sale for 2008.

Next year we are thinking of putting one hundred of the tickets on ebay in order to add excitement to the scramble for tickets and raise money to support the event. A penny for your thoughts, please.

Posted by Jen Tomkins

Noel Godfrey Chavasse 90th Anniversary

Noel Godfrey Chavasse died of his wounds at Branhoek, Belgium on August 4, 1917, aged 33. The son of Francis James Chavasse, Bishop of Liverpool, Noel was a Royal Army Medical Corps (RAMC) officer and is one of only three people to have received the Victoria Cross twice and the only one to both a VC and Bar in World War 1. He received his first VC for his actions in July 1916 when he saved the lives of at least 20 men on the battlefield of Guillemont. The second was awarded for his actions in the period leading up to his death, when he repeatedly went out to search for wounded men under heavy fire, even when his own wounds were life-threatening.

Before the war he lived in Liverpool at the Bishops’ Palace, 19 Abercromby Square, now home to The Reader. On the anniversary of his death wreaths are placed on the steps leading up to the front door. Today seemed a good day to mention it.

Reader event: Food for Thought

Members of staff at The Reader Organisation share their experiences about ‘Food for Thought’, an event held at the University of Liverpool’s Foresight Centre, at lunchtime today. Sandwiches, cake and tea were all consumed avidly and the conversation flowed with insightful and enthusiastic responses to the featured short story and poems.

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I have just come back from one of our much loved Food for Thought events and have enjoyed privilege of yet another stimulating couple of hours of lively debate and discussion! Today’s selected short story was Tobias Wolff’s ‘Powder’, which was read along side Elizabeth Jennings‘ moving poem ‘Father to Son’ and Vernon Scannell‘s challenging piece ‘Incendiary’.

What I found most impressive about ‘Powder’ was its creation of a new found movement of discovery within such a short space of time; that is, a short space of time not only within the form of the story, but rather the actual narrative moment of one morning in the life of a somewhat estranged son and his father on Christmas Eve. The son thinks that he knows all there is to know about his father, and appears wearied and tired by what he does know: his is a father who, for all his good intentions, seems to be unable to stop himself from getting caught up in his own enthusiasm for reckless adventure often at the expense of his other commitments which have to do with the ordinary responsibilities and routines of everyday life for parents, children, and the family. Although what is really wonderful about the story is that the son, when compelled to follow his father in a hazardous drive through snow and blizzard, comes to realise a much needed sense of fun and adventure in himself as he rediscovers his father as someone who he can look up to and admire because, rather than in spite of, his “rumpled” nature. The best bit of the day for me was when a lady on my table said that the story had given her hope that relationships between father and son, when strained and paralysed by those awful and seemingly impenetrable silences, do not have to stay that way and can, actually, change.
By Clare Williams

Tobias Wolff, author of ‘Powder’, the story that formed part of today’s reading for Food for Thought, is one of the world’s finest contemporary short fiction writers. From his collection The Night in Question, it tells the tale of a boy’s perception of his father and the changing dynamic of their relationship, or at least the son’s change of attitude. In only five pages and in what is essentially only a ‘drive home’, Wolff portrays an essentially irresponsible and arrogant man, whose incautious behaviour means that he and his son nearly miss making it home for Christmas. Yet as the story progresses, the son begins to accept his father’s behaviour , “I stopped moping and began to enjoy myself”, realising that accepting the circumstance and his father for who he is leads him to acknowledge, “I actually trusted him.” It was remarkable how may different feelings this story prompted in the readers that were sat at the table with me: some believed there was an impending disaster as the father and son drove through the dense snow; some drew on resonances with Wolff’s own memoirs; others were quick to highlight aspects of the relationship between father and son in relation to their own experiences, as parent or as child.

The blankets of white snow and the portrayal of silent moments in the story were echoed in Elizabeth Jenning’s poem ‘Father to Son’, “I know/ Nothing of him”. This poem, which speaks of the lack of understanding between parent and child, identifies how you can yearn to feel a connection to someone but lack the understanding to be able to, “We each put out an empty hand,/ Longing for something to forgive”. Vernon Scannell’s ‘Incendiary’ seemed antithetical in tone to the other texts as it was provocative and volatile, “that one small boy should set/ The sky on fire and choke the stars”. However there is a presiding sense of poignancy towards the poem’s end, “would have been content with one warm kiss/ Had there been anyone to offer this”, that puts the onus on each one of us to ensure that children do not grow up without being shown love. Each of the texts provided a different attitude towards relationships and each person around the table had their own unique insights: it is at events like this that words on the page really do come to life, bringing our own experiences and thoughts to what’s written in front of us and willing to share them with others.
By Jen Tomkins

We sat down to sandwiches, large slices of cake and three pieces of work for discussion: ‘Powder’, a short story by the American writer Tobias Wolff that describes a father and son relationship in which the boy has taken on the role of adult as if to protect himself from his father’s irresponsibility and chaotic lifestyle. ‘Father to Son’, a poem by Elizabeth Jennings which explores a situation in which there is no understanding, or common ground, between father and son and another poem ‘Incendiary’ by Vernon Scannell in which a small boy with no parental love or authority causes massive damage to property.

We began, spontaneously with Elizabeth Jennings’ poem. Everyone found it bleak but knew it to be possible and real:

We speak like strangers, there’s no sign
Of understanding in the air.
This child is built to my design
Yet what he loves I cannot share.

It was the sheer distance between the two with ‘no sign’ of ever being able to close that made it so sad and the incomprehensibilty of how this most fundamental relationship could become so sterile. We spent at least twenty five minutes exploring the complextity of the situation of the poem which ends without resolution:

We each put out an empty hand,
Longing for something to forgive.

Turning to ‘Powder’, we all felt we needed to look for something positive in what seemed to be another broken down relationship between father and son. It is a great and brilliantly written account of a brief moment when, against all odds, the son is able to let go of built up fear and resentment and allow himself to feel pride, trust and love for his Dad.

My father was driving. My father in his forty-eighth year, rumpled, kind, bankrupt of honour, flushed with certainty. He was a great driver. All persuasion and no coercion. Such subtlety at the wheel, such tactful pedalwork. I actually trusted him.

The story is only five pages long, but packed with thought and feeling. Much food for thought and discussion. Unfortunately, after this, we didn’t have room for ‘Incendiary’ and left the table feeling fuller than sandwiches and cake alone could account for.
By Angela Macmillan

We spent much of our discussion time thinking about the relationship between the father and son in the short story ‘Powder’. We were all interested in their individual characters, which caused us to sympathise with both of them at different moments in the story. We talked a lot about the apparent ‘distance’ between the them, how the fact that they are very different personalities effects their relationship as much as the damage that has been done through the lack of trust the boy has in his father and the broken promises he remembers. This idea is echoed in the Elizabeth Jennings poem, ‘Father to Son’ where the two “speak like strangers” yet appear to be separated through their difference from each other, “what he loves I cannot share”, rather than a specific, identifiable disagreement. This problem seems much deeper and less temporary somehow, as the aching “Longing for something to forgive” in the final line crushes the hope that talks of “shaping from sorrow a new love” in the previous stanza.
By Katie Peters

People’s Choice Debate: Victory for Jane Davis

Jane Davis, Director of The Reader Organisation has been victorious in her ‘Vote for Books’ campaign as part of the People’s Choice debate for Free Thinking 07. Beating off competition from three other Liverpool-based thinkers, covering diverse topics such as ‘In praise of activists’ and ‘Britain needs to take an anger management course’, Jane’s winning pitch to promote books as the art form that “allows us to fully understand the human experience”, is headway indeed for The Reader Organisation’s work.

Very many congratulations, Jane!

Jane will be taking part in a live audience discussion around the issues raised in the People’s Choice debate as part of Free Thinking 07 in The Box at FACT at 3.15pm this coming Sunday. If you cannot attend in person, you will be able to listen to this through the Free Thinking 07 website for up to a week after the event.

Tonight Jane is in conversation with Blake Morrison in an event hosted by Raymond Tallis at the Wellcome Collection in London. ‘Books to Make You Better’ will explore how the written word influences us beyond the moment of reading and can have a transformative effect on our lives. This is the third in a series of four events exploring medicine and literature. Tonight’s event will focus on the growing interest in bibliotherapy (The University of Liverpool launched their innovative Reading in Practice MA this year, under the direction of Philip Davis) and the part writers and readers can play in improving the nation’s health.

Posted by Jen Tomkins

BBC Free Thinking Festival: A Festival of Ideas

Free Thinking 07, BBC Radio 3 and BBC Radio Merseyside‘s unique festival of ideas launches in Liverpool this Friday (November 9). With events at Fact and BBC Radio Merseyside, Free Thinking brings you face-to-face with today’s leading artists, scientists and other thinkers. Over the weekend, you can join them and many others considering ideas through interviews, debates, talks, poetry and performances. The Reader is hosting ‘Book at Breakfast’ on Saturday and Sunday (still a few tickets left for Sunday, so book now if you want to come) and Ian McMillan, new regular contributor to The Reader, will record The Verb live on Friday evening.

With freedom as a major theme at this year’s festival, there are events that tackle issues of freedom in education, the ownership of our own freedom, prisons and society, the changing perspectives of childhood and concepts of equality. The full list of events can be found here and even if you are unable to attend, there are opportunities for everyone to tackle the issues raised. Most of the events over the weekend will be broadcast on BBC Radio 3 and BBC Radio Merseyside, as well as being available to listen for up to a week on the Free Thinking website; there are polls and comments awaiting your responses and the chance to write haiku on any debate or theme from this year’s festival (also, don’t forget to vote for Jane as part of the People’s Choice debate!).

Posted by Jen Tomkins