Last month we had the pleasure of welcoming a young visitor from the Netherlands to our Liverpool HQ for a stint of work experience. This is Annika’s story:
A group member turned Reader Leader Volunteer shares her powerful story and tells us what Shared Reading has meant for her.
Shared Reading can be a way back to life for many- a group member tells us their story in their own words:
With changes afoot for Shared Reading Knowsley, Helen has all the latest from the project:
Today we say goodbye to our wonderful Reading Resources Intern, Nikki. It’s been a joy having her with us and she’s been kind enough to write about her experience here at Reader HQ in Calderstones:
Turning the spotlight on our Shared Reading project in Knowsley.
“Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.”
A week ago, we took part in the first National Arts in Health conference, hosted by AESOP (Arts and Enterprises with a Social Purpose). Exploring the ways in which the arts can be harnessed to improve the provision of healthcare in the UK, the conference brought together leading thinkers and doers in the arts and health, and The Reader was lucky enough to be selected as only one of three organisations out of twenty eight to showcase in the opening plenary.
It was a truly inspiring day, attended by those including Arts Impact Fund amongst many others, and an honour to be featured alongside other organisations doing fantastic work to improve well-being amongst communities facing physical, mental and emotional difficulties. Our Communications Manager Emily Crawford was there on the day:
Last Friday I had the privilege of witnessing something pretty special. Three of our reading group members – all of whom had their own very personal journey with The Reader and mental health – stood in front of 500 people at the Southbank Centre and told their stories about how Shared Reading has impacted upon their lives. They actually did a lot more than that – they spoke eloquently and did a spectacular job doing something that would terrify most people. The power of the work we do is seen most through stories like those that our three readers – three of hundreds across the UK – shared, and as I stood backstage was reminded just how important it is. People who at times who have felt utterly alone, disconnected and afraid were able to take the leap to standing on stage in front of all those people and sharing all of that experience, as well as the huge distance they’ve travelled since then – and what’s more, had the room in complete silence hanging on every word. “I’m sitting here now – as a well person” is one of the lines that still rings in my head.
Our Founder and Director Jane Davis, alongside our readers in that bustling space on Friday, finished our section by sharing William Ernest Henley’s poem Invictus. It’s a poem that’s been read in many of our weekly Shared Reading groups and so has a lot of resonance with many of our group members, including the three who shared their own stories. It’s a poem and a performance that led Peter Bazalgette, the chair for Public Health England, to take to the stage afterwards and proclaim that we had just ‘opened his eyes’. It’s a poem that, after practising for this performance, led one of our readers to turn to me and say “I’ve been repeating those lines ever since you gave me this you know, when things get frazzled: ‘I am the master of my fate, I am the captain of my soul’. It reminds me that I’m in charge of me.”
It was also great to have such a brilliant reaction from attendees of the Conference on Twitter:
A huge congratulations and thanks to our readers for taking part and being such spectacular spokespeople for Shared Reading!
Find out more about the Conference over on the AESOP website: http://www.ae-sop.org/
The link between the arts and improved mental well-being is one which more professionals and volunteers are experiencing firsthand in the UK, and will be celebrated at the first national Arts in Health Conference and Showcase.
A Little Aloud with Love brings together some of the most popular works in the English language, celebrating love in all its forms: that heady first flush, the agony of heartbreak, joyful reunions, the love of a parent for a child… and what better way to share these beautiful pieces than to read them aloud, to that special someone? The anthology features both classic and contemporary selections to warm the heart, from Robert Browning to the Brontes, Shelley to Shakespeare, W.B. Yeats to W.H. Auden, bringing us right up to date with modern takes on love from authors such as Haruki Murakami, Margaret Atwood and David Constantine.
Delving into the passionately pink cover, you’ll find that the collection is divided up into sections so that there’s a poem or story to suit any occasion and reading partner. Read:
- ‘Our places by the fire place’ to a parent
- ‘My love is come to me’ to a partner
- ‘Most near, most dear’ to a child
- ‘A need to reach out sometimes’ to a friend.
What’s more, each section is paired with observations, questions and connections made by our Shared Reading group members from across the country, allowing readers to become part of a bigger discussion. Sometimes the insights are humorous, others speak of deeper emotions. All are entirely personal responses to reading literature about love, prompted only by the poems and stories themselves:
‘Her name was Ruth and I was mad about her for two years and never plucked up the courage to even speak to her,’ said a man in a nursing-home reading group.
Someone else wondered if the poet would still be passionate after twenty years of marriage. ‘Never mind the poems, she’ll be lucky then if she gets a bunch of garage flowers on their anniversary.’
Research has shown that being read to can help to make us healthier and happier, enriching our hearts as well as our minds, and A Little, Aloud with Love is bursting with literature to lift the spirits. Even better is the news that the publisher Chatto & Windus is donating all royalties from A Little, Aloud with Love to The Reader, so by buying a copy you’ll be supporting our work running Shared Reading groups across the UK – enough to give anyone a warm fuzzy feeling inside.
It’s great news to hear that the connection between poetry and mental wellbeing is being highlighted, thanks to the launch of ReLit and their anthology Stressed Unstressed, a volume of 150 poems selected to ease the mind and provide solace in troubling situations. Amongst those who have identified poems that have helped them to cope during times of stress are Melvyn Bragg, Ian McKellen and Stephen Fry.
The members of our Shared Reading groups are experiencing the power as well as the pleasure of poetry on a weekly basis, from community groups in libraries to patients on mental health wards and prisoners in high-security units. Reading poetry aloud as a group gives people access to powerful language, thoughts and feelings about what it is to be human, and in experiencing these complex meanings with others they can start to build – or rebuild – a better understanding of themselves and the world. Whichever way someone is struggling – on a particular day, week or on a longer-term basis – a poem can help to reach out on a personal, emotional level.
The best way to feel what a poem is and can do is to read it, with other people.
Take, for instance, the women at HMP Low Newton who read Mattresses by Jean Sprackland:
“Mattresses talks about everyone’s life but has a darkness that resonates with the women reading here. On the first reading one woman can’t hear the mattress but only a tale of a broken woman, lost and discarded. The others listen politely, sensitively, but then the group move on, back to the text, and the talk returns to mattresses, how they are an ‘archive’ of the everyday and everybody. The same woman’s expression changes to one of surprise: the idea that there could be other things to the poem, any poem, than what struck her at first reading is a genuinely new one. Another, deeper, insight follows: “I saw me”. What had been evident to everyone else in the room startles this woman to a laugh, and you can see her visibly awaken to new insights about herself and the potential of poetry.”
Or a group member on a mental health ward in Manchester, who found comfort in I Wandered Lonely as a Cloud by Wordsworth:
“On the morning of the group, he was on a 2:1 because he was ‘punching out and shouting at the staff’. He came in to the group, sat down and his focus was completely on the poem throughout. He was calm, reflective, and had read the whole of the poem aloud in a wonderfully clear voice. We were talking about places that we can remember that made us happy, and he told the story of going on picnics with his Mum, Dad and sister. By the end of the group, he only had one staff member with him, and showed no signs of aggression, upset, or distress.”
A great amount of the literature we use in Shared Reading groups deals with difficult subjects, evoking distress and often painful memories that do not seem on the surface designed to comfort or put the group member’s mind at ease. However below the surface different emotions rise up, showing how we sometimes need what is difficult to break through to the deeper part of us.
“We were reading war poetry and as I read John McCrae’s In Flanders Fields Ivy shifted in her seat, and I could tell before I finished the poem that she wanted to speak. One memory in particular, translated through the poetry, brought tears to her eyes as she shared it with the group:
‘I remember once I walked in on my Father as he was changing his shirt ready to go out with Mother. He shouted ‘Don’t come in, I’ll be down in a minute’, but it was too late, I had seen his side and there was a great hole there. I ran down the stairs to Mother crying and said ‘What happened to Dad? Did he fall down the stairs? And she said, ‘No love, that is a war wound’. I remember I was so upset.’
Her emotion at recalling the story of the wound demonstrated why, even though it took place when she was very young, this was an event which shaped her and has stayed with her over the years. I asked her if she was okay, if she was happy to continue reading the poems and she replied ‘Oh yes, I like them.’ When we read next Now to be still and rest, while the heart remembers by P.H.B. Lyon, she smiled and nodded and was keen to point out, ‘We celebrate every year, we never forget.’ “
Our research with partners CRILS at the University of Liverpool further demonstrates how reading poetry aloud can have powerful effects on people across all ages, backgrounds and life situations, from those living with dementia for whom poetry can stimulate emotional experiences in the present as well as rememberance and help to improve mood, to encouraging better social, emotional and psychological wellbeing amongst female prisoners. The shared reading of poems and literature has the effect of creating bonds and friendships, which our research has found contributes to a more positive outlook on life.
As the year is still fresh, here’s to more poetry, less stress and loneliness – and in reading together, sharing the comfort that comes from great literature on a wider scale.