Our latest Read of the Week comes from Practice Mentor Katie who has recommended Dombey and Son by Charles Dickens.
As Angela McMillan, co-editor of The Reader magazine, turns her attention to her reading list for the year ahead, we ask what she loved in 2016.
Winter’s chill may not have the same bite as we might have expected but there’s plenty to chew on in the latest issue of The Reader.
Our Read of the Week comes from the bookshelf of our Reader Leader Cheryl who recommends The Children Act by Ian McEwan.
It’s Children’s Book Week! Find out which classic children’s book character you’re really, most like.
We’re delighted to introduce our brand new partners, OUP!
Happy World Book Day! We were delighted to start celebrating the day by appearing on BBC Breakfast talking about the importance of reading for pleasure. Here’s The Reader’s very own Sophie Clarke on the BBC Breakfast sofa with Children’s Laureate Chris Riddell.
From Robert Lyon, Communications Intern
World Book Day has arrived! Once again millions of children and adults will come together to celebrate books in all their glory. A day to recognise a host of books, authors, illustrators and the readers themselves, World Book Day is celebrated with a host of events across the country. One of the longest standing features of World Book Day is of course the £1 short stories that are available to buy in stores from today. This year you have the option of enjoying:
Kipper’s Visitor by Mark Inkpen;
Supertato: Hap-Pea Ever After by Sue Hendra and Paul Linnet;
Daisy and the Trouble With Jack by Kes Gray;
The Great Mouse Plot by Roald Dahl;
Welcome to the World of Norm by Jonathan Meres;
Star Wars: Adventures in Wild Space by Cavan Scott;
Harper and the Sea of Secrets by Cerrie Burnell;
The Boy Who Could Do What He Liked by David Baddiel;
Spot the Difference by Juno Dawson;
Kindred Spirits by Rainbow Rowell.
Schools all over the country will be distributing their £1 World Book Day tokens that get you any one of these fantastic titles or £1 off any other book you may want to buy.
At The Reader and The Storybarn we have been running a competition that allows children from across Liverpool and the local area to send in a drawing of what they love about their favourite book with the hopes of winning the prize of a free day at The Storybarn for their class. The response has been amazing with masses of bright and creative drawings gracing the walls of The Reader office as we struggle to pick a winner. The winner is being picked out later today and the lucky child and his or her class will soon make a trip to the wonderful Storybarn! Have a look at some of the brilliant entries over on The Storybarn’s website, with the shortlist also being featured on the Liverpool ECHO site.
A major theme of every World Book Day, to children’s delight, is of course the fancy dress! All over the country on World Book Day children will be dressing up as their favourite book characters. The Storybarn gives children the chance to step into an interactive storytelling environment – including getting the chance to delve into the story-inspired dressing-up box – and this will continue on World Book Day! Tickets are available for a day of fun and imagination while encouraging reading on World Book Day 2016.
The first issue of The Reader in 2016 is here and it’s a very special one indeed as it heralds our sixtieth edition. There are plenty of diamonds to be found inside Issue 60, ranging from the brand new to the nostalgic, and the inclusion of our ‘One -Pagers’ – the raw, powerful and punchy moments from works of literature that make us feel alive and which we often turn to at times in need of affirmation.
‘We seek the ‘lines of life’. When readers tear from books the words that suddenly matter to them, that is their own pre-poem, the beginning of their work as receivers and transmitters of suddenly felt meaning. Reader writers: apply within.’ – The Reader Writers, Philip Davis
You’ll still find plenty of broader content within Issue 60, including new poetry from Carol Rumens, Julie-ann Rowell, Claire Allen and Vidyan Ravinthiran. The big themes of change and the future – still on many a mind as the year is fresh – feature in Gill Blow‘s story ‘Ladies of the Soil’, and Raymond Tallis seeks perspective on life from the imagined vantage of his future death in an extract from his new book The Black Mirror.
Sitting alongside future thoughts are frequent glances back towards the past, as we republish poems by Les Murray and U.A. Fanthorpe from our earliest issues, and revisit our childhoods while keeping feet firmly in the present day as we talk to Jason Hazeley and Joel Morris, co-writers of the hugely popular Ladybird Books for grown-ups. Our second interview visits photographer Tim Booth, who talks about his stunning collection A Show of Hands – a collection of portraits of hands.
Marjorie Lotfi Gill features in The Poet on Her Work, turning distance that feels like helplessness into clarity as she writes on the subject of gun violence. Charlie Darby-Villis writes about reading poetry in a high security prison, and the poet David Constantine responds with his own recollection of visiting HMP Low Newton. More on the particular power reading can offer come from pieces by Drummond Bone, Ben Davis, David Abrahamson and Claire Sive.
All this alongside our Regulars and Recommendations – there’s much to celebrate in our latest milestone.
If you’re keen to make a literary resolution for the year ahead, yearly subscriptions to The Reader begin from £24, offering four issues of the magazine. You can also purchase your copy of Issue 60 for the price of £6.95. There’s the chance of winning a full set of the Ladybird Books for grown-ups within the issue, so don’t delay in ordering!
For more on The Reader, see our website.
In need of something to bring a warm glow into the lengthening Autumn nights? The latest issue of The Reader is here to offer a wealth of new fiction and poetry, alongside a range of illuminating essays and thought pieces – and the bright cover artwork by Michael Troy is sure not to get lost amongst the gloom.
In Issue 59, you’ll find new work from two big names and returning contributors to The Reader. Blake Morrison introduces his poetry collection, Shingle Street, and the profoundly moving first chapter of The Life-Writer by David Constantine offers an enticing insight into the new novel from the author of In Another Country, the inspiration for the recent award-winning film 45 Years.
The Poet on His Work features Jonathan Edwards and his poem Song, where the low culture – ‘the earthy, the musical, the ordinary, the real’ – sits alongside the poetic:
“This poem took ten years to write. It took a few hours. I’m not the first boy in the history of the world to write a poem about a girl.” – Jonathan Edwards on Song
Marjorie Lofti Gill, Ian Tromp and Mary Maher complete the poetry line-up.
Dr Steve Mowle, a partner at Hetherington Family Practice and Associate Director for GP Education for Inner South West London, talks to Fiona Magee about life as a GP, the long-term relationship between patients and doctors and how reading within a group is part of ‘social prescribing’.
Tim Parks uses Chekhov to rebel against the problem of ‘biographical fallacy’; the ‘poet’s poet’ F.T. Prince comes to our attention courtesy of Anthony Rudolf; Brian Nellist recommends a Neglected Novel – as well as offering The Old Poem – and there are more from The Reader regulars, including Ian McMillan and Enid Stubin.
Curl up by the fire and order your copy, available to order from the website. If you’re on the search for Christmas present suggestions, a year’s subscription to The Reader – giving you four issues – costs £24 in the UK and £36 abroad.
The Unforgotten Coat has been on quite a journey since its publication in 2011 for The Reader’s Our Read campaign. It’s been shared in schools and universities, at festivals and events and has garnered several award wins and nominations. We’ve been amazed at how the story – inspired by true events – has become a global sensation, but not all that surprised given that it was penned by the brilliant Frank Cottrell Boyce.
Recently, Frank embarked on a trip which highlighted not only the appeal of the book but also its relevance to current events that are happening across the world. He writes for us:
A few months ago I won a prestigious book award in Germany – the James Kruss prize. This involved me in the difficult work of being wined and dined and feted in one of the world’s most beautiful libraries – the International Children’s Library in Schloss Blutenburg near Munich. I wrote about the experience here. It also involved me giving the children’s keynote lecture at the Berlin International Literature Festival last week.
I find it surprising and thought-provoking that all this prestige comes from the book I wrote for The Reader in response to the badgering of Jane Davis – The Unforgotten Coat. This is a book I wrote quickly, inspired by a Mongolian girl I met in a school in Bootle. It’s illustrated with photographs taken by friends Carl Hunter and Clare Heaney. It could not be more home-made. Yet it seems really to have hit a chord in Germany.
The events were all packed. I was taken to schools and to a refugee project where the kids were doing work inspired by the book. A party of Mongolian children turned up, delighted by the fact that the book’s heroes are from Mongolia. It’s always been well-regarded in Germany (it won the state-sponsored Jugendliteraturpreis last year) but the events of the summer, and the refugee crisis in particular, have made it seem relevant and timely. I was even invited onto the news to discuss the crisis, which turned out to be slightly embarrassing as I only remembered that I don’t really speak German when I was on already on air.
There’s something to be said here about the magic – or the grace – of story. When the book was written there was no refugee crisis. I wrote it purely because its two swaggering, resourceful, vulnerable heroes seemed fun and real. When politicians are referring to refugees as “swarms” and “floods” as though they were the plagues of Egypt, it’s important to be reminded that we are talking about individuals – as needy, as worthy, as eccentric as we are ourselves. Narrative is a great mental and moral discipline.
It also says something about the inherent internationalism of children’s stories. When I was growing up I was immersed in stories that came from Finland, Africa, the Middle East – but they all seemed to belong to me, part of my inheritance every bit as much as Scouse or the Beatles. By the way, The International Children’s Library was founded by Jella Lepman – a Jewish refugee who got out of Germany just in time and then, when the war was over, went back to help rebuild it. Imagine that. She got away. She got a nice job at the BBC. Then she went back. The more I think about it, the more I think that’s one of the most moving and salutary things I’ve ever heard. She went back because she thought that children’s stories were important. I put her picture over my desk and say a prayer each morning that I don’t sell her vision short.
I went home via Hamburg where I took my little son to see “Miniatur Wunderland” – a terrific display of model towns and villages. One room contains a series of scenes of one street through time. From the Bronze Age, through the Middle Ages, the Enlightenment, the Nazis (“in the far corner we can see Rosa Luxembourg being murdered …”), the Berlin Wall and the collapse of the Wall and then… it doesn’t stop. The next few cases show visions of what the same street might be in the future. Each of those cases has been put together by one of the main political parties. They were each asked to show what their vision of the future would look like at street level. It was revelatory and oddly moving to see that politicians dream too.
This is a picture of the Miniatur Wunderland version of the collapse of the Wall.
The Unforgotten Coat received its international premiere at the Berlin International Literature Festival on 9th September at the Children and Young Adult Literature section of the festival, with a special focus on ‘Escape, displacement and migration’.
“Good stories help us make sense of the world. They invite us to discover what it’s like being someone completely different.” – Author Gillian Cross writes for The Guardian on how fiction can help us to understand the Syrian refugee crisis. The Unforgotten Coat has been offered as one recommendation (and we agree), but there are many more, suggested by readers here.
An exhibition of original digital and Polaroid-style photographs from The Unforgotten Coat by Carl Hunter and Clare Heaney is on display at Bank Street Arts in Sheffield until Saturday 26th September.